Subject: Religion
“Origins & Futures” Guerilla Art Installation

“Origins & Futures” Guerilla Art Installation
“The Origin and Future of the Blood” guerilla installation

“The Origin and Future of the Blood” guerilla installation
View of my April 2011 guerilla art installation of pieces from the "Origin & Future of the Blood" series on NW Glisan St., Portland, Oregon.
“The Origin and Future of the Blood” guerilla installation

“The Origin and Future of the Blood” guerilla installation
View of my April 2011 guerilla art installation of pieces from the "Origin & Future of the Blood" series on NW Glisan St., Portland, Oregon.
“The Origin and Future of the Blood” guerilla installation

“The Origin and Future of the Blood” guerilla installation
View of my April 2011 guerilla art installation of pieces from the "Origin & Future of the Blood" series on NW Glisan St., Portland, Oregon.
“The Origin and Future of the Blood” guerilla installation

“The Origin and Future of the Blood” guerilla installation
View of my April 2011 guerilla art installation of pieces from the "Origin & Future of the Blood" series on NW Glisan St., Portland, Oregon.
“The Origin and Future of the Blood” guerilla installation

“The Origin and Future of the Blood” guerilla installation
View of my April 2011 guerilla art installation of pieces from the "Origin & Future of the Blood" series on NW Glisan St., Portland, Oregon.
“The Origin and Future of the Blood” gallery installation view

“The Origin and Future of the Blood” gallery installation view
“The Origin and Future of the Blood” gallery installation view

“The Origin and Future of the Blood” gallery installation view
“The Origin and Future of the Blood” gallery installation view

“The Origin and Future of the Blood” gallery installation view
“The Origin and Future of the Blood” gallery installation view

“The Origin and Future of the Blood” gallery installation view
“The Origin and Future of the Blood” gallery installation view

“The Origin and Future of the Blood” gallery installation view
The Six Ages 6

The Six Ages 6
10 x 40 in.
Collection of Obi Kaufmann. Blaise Pascal: "283. The six ages, the six fathers of the six ages, the six wonders at the beginning of the six ages, the six orients at the beginning of the six ages."
“The Heart Has Its Reasons”

“The Heart Has Its Reasons”
each 5 x 7 in.
Blaise Pascal: "423. The heart has its reasons of which reason knows nothing…"
“Blind Some”

“Blind Some”
9 x 12 in.
Blaise Pascal: "232/233/234. We can understand nothing of God’s works unless we accept the principle that he wished to blind some and enlighten others. Jesus does not deny he is from Nazareth, nor that he is Joseph’s son, so as to leave the wicked in their blindness. God wishes to move the will rather than the mind. Perfect clarity would help the mind and harm the will. Humble their pride."
“Smiling”

“Smiling”
12 x 12 in.
“Madness”

“Madness”
12 x 18 in.
Blaise Pascal: "412. Men are so inevitably mad that not to be mad would be to give a mad twist to madness."
“Outside Yourself”

“Outside Yourself”
each 5 x 7 in.
Blaise Pascal: "202. Be comforted; it is not from yourself that you must expect it, but on the contrary you must expect it by expecting nothing from yourself."
“Beyond the Senses”

“Beyond the Senses”
8 x 10 in.
Blaise Pascal: "185. Faith certainly tells us what the senses do not, but not the contrary of what they see; it is above, not against them."
“Figures”

“Figures”
8 x 10 in.
Blaise Pascal: "248. Figures. The prophets prophesied in figures, like a girdle, beard, burned hair, etc."
“How Many Kingdoms Know Nothing of Us”

“How Many Kingdoms Know Nothing of Us”
9 x 12 in.
Blaise Pascal: "41. How many kingdoms know nothing of us!"
“The Parrot Wipes Its Beak Although It Is Clean”

“The Parrot Wipes Its Beak Although It Is Clean”
8 x 10 in.
Those Who Seek

Those Who Seek
8 x 10 in.
What Part Feels?

What Part Feels?
11 x 17 in.
Blaise Pascal: "108. What part of us feels pleasure? Is it our hand, our arm, our flesh, or our blood? It must obviously be something immaterial."
A Cipher

A Cipher
8 x 10 in.
No Captain

No Captain
8 x 10 in.
30. We do not choose as captain of a ship the most highly born of those aboard.
Justice as Fashion

Justice as Fashion
18 x 24 in.
Blaise Pascal: "61. Justice is as much a matter of fashion as charm is."
Contra

Contra
18 x 24 in.
Blaise Pascal: "284. The only religion which is against nature, against common sense and against our pleasures is the only one which has always existed. 425. The only knowledge which is contrary alike to common sense and human nature is the only one always to have existed among men."
Everything That Is Incomprehensible Does Not Cease to Exist

Everything That Is Incomprehensible Does Not Cease to Exist
9 x 12 in.
Blaise Pascal: "230. Everything that is incomprehensible does not cease to exist."
Those Who Boast

Those Who Boast
11 x 17 in.
Blaise Pascal: "156. Pity the atheists who seek, for are they not unhappy enough? Inveigh against those who boast about it."
Absent Pleasures Are Vain

Absent Pleasures Are Vain
12 x 18 in.
Blaise Pascal: "73. What causes inconstancy is the realization that present pleasures are false, together with the failure to realize that absent pleasures are vain."
The Wager

The Wager
16 x 20 in.
Blaise Pascal: 418. The Wager. I: Unity added to infinity does not increase it at all. II: There is not so great a disproportion between our justice and God’s as between unity and infinity. III: We know the existence of the infinite without knowing its nature, because it too has extension, but unlike us no limits. IV: If there be a god, he is infinitely beyond our comprehension, since, being indivisible and without limits, he bears no relation to us. We are therefore incapable of knowing what he is or whether he is. V: …let us say: “Either God is or he is not.” But to which view shall we be inclined? Reason cannot decide this question. Infinite chaos separates us. At the far end of this infinite distance a coin is being spun which will come down heads or tails. How will you wager? Reason cannot make you choose either, reason cannot prove either wrong. VI: Yes, but you must wager."
Thinking Reed

Thinking Reed
11 x 17 in.
Blaise Pascal: "113. Thinking reed. It is not in space that I must seek my human dignity, but in the ordering of my thought. It will do me no good to own land. Through space the universe grasps me and swallows me up like a speck; through thought I grasp it."
A Trifle

A Trifle
5 x 12 in.
Blaise Pascal: "43. A trifle consoles us because a trifle upsets us."
Monster

Monster
12 x 18 in.
Blaise Pascal: "130. If he exalts himself, I humble him. If he humbles himself, I exalt him. And I go on contradicting him until he understands that he is a monster that passes all human understanding."
Eternal Silence

Eternal Silence
6 x 11 in.
Blaise Pascal: "201. The eternal silence of these infinite spaces fills me with dread."
How Vain Painting Is

How Vain Painting Is
14 x 21 in.
Blaise Pascal: "40. How vain painting is, exciting admiration by its resemblance to things of which we do not admire the originals!"
Too Much or Too Little Wine

Too Much or Too Little Wine
8 x 10 in.
Blaise Pascal: "38. Too much and too little wine. Do not give him any, he cannot find the truth. Give him too much: the same thing."
A Lame Mind

A Lame Mind
8 x 10 in.
Blaise Pascal: "98. How is it that a lame man does not annoy us while a lame mind does? Because a lame man recognizes that we are walking straight, while a lame mind says that it is we who are limping."
The Six Ages 2

The Six Ages 2
12 x 12 in.
Blaise Pascal: "283. The six ages, the six fathers of the six ages, the six wonders at the beginning of the six ages, the six orients at the beginning of the six ages."
The Six Ages 4

The Six Ages 4
12 x 12 in.
Blaise Pascal: "283. The six ages, the six fathers of the six ages, the six wonders at the beginning of the six ages, the six orients at the beginning of the six ages."
Diversion

Diversion
12 x 12 in.
Blaise Pascal: "136. Diversion. Sometimes, when I set to thinking about the various activities of men, the dangers and the troubles which they face at Court, or in war, giving rise to so many quarrels and passions, daring and often wicked enterprises and so on, I have often said that the sole cause of man’s unhappiness is that he does not know how to stay quietly in his room."
Immateriality

Immateriality
14 x 17 in.
Blaise Pascal: "115. Immateriality of the Soul. When the philosophers have subdued their passions, what material substance has managed to achieve this?"
Either/Or

Either/Or
12 x 12 in.
Blaise Pascal: "102. Either Jews or Christians must be wicked."
Miracles

Miracles
14 x 14 in.
Blaise Pascal: "169. I should not be Christian but for the miracles, says St. Augustine."
The Last Chapter

The Last Chapter
12 x 12 in.
Blaise Pascal: "165. The last act is bloody, however fine the rest of the play. They throw earth over your head and it is done forever."
The Six Ages 4: The First Age

The Six Ages 4: The First Age
11 x 11 in.
Blaise Pascal: "283. The six ages, the six fathers of the six ages, the six wonders at the beginning of the six ages, the six orients at the beginning of the six ages."
Diversion

Diversion
12 x 12 in.
Blaise Pascal: "70. If our condition were truly happy we should not need to divert ourselves from thinking about it."
Apparent Discrepancies

Apparent Discrepancies
12 x 18 in.
Blaise Pascal: "318. Apparent discrepancies of the Gospels."
Twin Infinities

Twin Infinities
18 x 24 in.
Blaise Pascal: "199. Disproportion of Man. For, after all, what is man in nature? A nothing compared to the infinite, a whole compared to the infinite, a middle point between all and nothing, infinitely remote from an understanding of the extremes; the end of all things and their principles are unattainably hidden from him in impenetrable secrecy. Equally incapable of seeing the nothingness from which he emerges and the infinity in which he is engulfed."